These marks may be registered in other jurisdictions. Developing the Source Code" that connects business strategy and customer insights to brand essence and product experience. The KSM8 mic is supplied in high-quality rigid protective case with zip closure, and comes with a 'soft-flex' stand adaptor clip and 5/8-inch thread adaptor. This makes them very different types of mic, each with their own internal circuitry. The kit includes a regular mic clip and a stiffened soft carry pouch, and theres a choice of finishes - black or brushed nickel. An internal shock mount offers the kind of durability youd expect from a live mic. The KSM8 has more of a presence peak in the upper mids, whereas the KSM9 feels more transparent throughout the high range. However, the output impedance is slightly higher than usual, at 300, and although this will technically mean a slightly higher noise floor than a mic with, say, a 150 output impedance, given the KSM8s intended application I think such concerns are completely irrelevant. He said the idea for the KSM8 came out of what Shure had learnt while building the KSM9 handheld condenser: "We knew from the KSM9 that if we could get a second diaphragm into the cartridge, we could use it as part of the acoustic network to control proximity effect. As expected from professional equipment, youll get that superior quality and low noise levels. Braunmhl-Webers innovative capsule design was patented in 1936, and introduced commercially as the famous M7 capsule employed in all of Neumanns early microphones. It is also available in both wired and wireless versions, which makes it ideal for use in a variety of settings. Some sound engineers also favour the increased directionality of a supercardioid when recording drums or other instruments. The triple grille pop-shield handles plosives well, whereas the dual diaphragm design is very effective at reducing the proximity effect. 5:52 Thanks for Watching! The output of these capsules is manipulated electronically to support two pickup patterns . Best for: Small touring applications, classrooms, office meetings, or fitness instructors on the go. The passive diaphragm obviously moves in response to sound waves, and thus transmits sound waves into the rear chamber, but it affects low and high frequencies differently. The KSM8 Dualdyne is designed to excel as a vocal microphone while withstanding the punishment of professional live sound reinforcement, but can be used to capture other sources as well. However many singers and sound engineers find themselves needing to upgrade to something a bit more hi-fi. I own a SM7b and want a mic with similar quality for when I feel like holding the mic and being free. The younger sibling of the KSM9 is the Shure KSM8. Single vs. Dual-diaphragm frequency response. It offers a frequency response of 20Hz-20kHz and a maximum SPL of 150dB. Building on a technology that Shure first introduced in 1966 with the Unidyne III capsules used in SM57s and SM58s, the KSM8s pneumatic shockmount sits below the Dualdyne capsule to decouple it from the microphone body, thereby minimising low-frequency handling noise. New Loops Releases 'Twin 3 Pro Expansion' 30% off intro discount! . Both mics have very similar specs and a similar size, weight and design. For comparison the SM58 only reaches 15kHz. He is always eager to try new creative endeavors and uses them as inspiration in her writing. The capsules that see most demand are beta58s and KSM9s. Engineering products to address all technical and business criteria and solve the most difficult design problems through integrated mechanical, electrical, software and firmware solutions. At 191 mm (7.5"), it's slightly longer than the Shure SM58. PR35 has a lot of fans. Overall it is a mid-flat mic with low-end roll off around 110Hz, and rather than a single 5-10 dB presence peak around 8 . In addition to diminishing unwanted movement, the moving piston and internal cavities have been precisely engineered to stabilize the diaphragm amidst mechanical vibration. The sound engineer will normally mute the mic from the mixing desk when needed. At the bottom of the KSM8s capsule is a second passive diaphragm, which is there to seal the rear chamber and its internal acoustic labyrinth. You are using an out of date browser. Unusually for a stage vocal mic, the response is largely flat between 100Hz and 10kHz and the substantial presence peak found in most stage vocal mics is absent in the KSM8. The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. For example, as a lead singer you will naturally lean towards a more balanced sound ofcardioid. Varying the labyrinth delay time slightly leads to other directional patterns, such as hyper- and super-cardioid, where the null angles are offset either side of the rear axis at 110 degrees and 126 degrees, respectively. KSM9 picks up too much stage wash. AE5400, KSM9, VX10, and PR22 do as well. The grille interior is lined with a hydrophobic woven fabric. However, there is a small amount of sensitivity at the rear of the mic (called a rear lobe). What's the problem with your 58? Firstly, good live condenser mics, such as the KSM9 have internal shock mounts. With over 28,000 articles and counting, inSync is your FREE resource for breaking news, reviews, demos, interviews, and more. The KSM9 microphone typically runs around $700 in a wired configuration. JavaScript is disabled. Aside from its precious, gold layered, low mass diaphragm, KSM9 uses first class electric components for its preamplifier circuit. Turn your old gear into new gear with the Sweetwater Gear Exchange! In fact, for close sources, as the signal frequency reduces, the dual-diaphragm capsule behaves less and less like a directional pressure-gradient device, and more and more like an omnidirectional pressure-operated device. The KSM9 uses an XLR cable to connect directly to the audio interface or mixer. You can easily make one of these out of stockings, or buy one here. A cardioid polar pattern shouldnt pick up any sound from the rear of the microphone. Taking its inspiration from Shure's classic Unidyne III capsule (that's the one used in the SM57, SM58 and others), this newly developed capsule aims to reduce the proximity effect, improve off-axis frequency response and rejection, and deliver . Shure KSM9 Cardioid and Supercardioid Condenser Mic. The science behind the Braunmhl-Weber capsule is a little complex, but if you want the full story with all the maths, Shure have produced a detailed white paper on the science and practical effects of the dual-diaphragm capsule, which can be found here: http://cdn.shure.com/publication/upload/340/pdf_ea_dual_diaphragm_mics.pdf. With its unique dual-diaphragm design, is Shures latest offering the greatest advance in dynamic mic technology since the Unidyne? In a switchable-pattern capacitor mic the rear diaphragm is made electrically active, of course, and by changing the electrical biasing of the two capsule halves and combining the electrical outputs from both diaphragms, it is possible to create any desired polar pattern from omni through cardioid and on to figure-of-8. Consistent with legendary Shure microphone innovation, the KSM9 is the first handheld condenser with dual diaphragms and variable polar patterns. The KSM8 is Shure's dual diaphragm dynamic, and as such not a condenser. The event in which it gets out of order is quite unlikely, however, with a good amount of acceleration, anything can be achieved. We develop services as multi-channel brand experiences that empower people in meaningful ways and deliver value for both the user and company. It is a handheld condenser with a switchable polar pattern between cardioid and supercardioid. When comparing the sound of the KSM9 vs KSM8s, I found them both to have a great sound. Here we really missed the added proximity oomph, particularly for the guitar. Features. They call it a three-stage grille or simply triple grille. With a decent sound system, the KSM9 is startlingly clear and detailed. The legendary Dan Erlewine, luthier Gene Imbody and Berklees Tomo Fujita have shot a 6-point lesson video to help, Deadmau5 delivers his verdict on AI music production: Its scary in the sense of how stupid music already is anyway, It looks like Gibson is going to start selling vintage guitars including a '59 Les Paul Burst, Damon Albarn reveals that the beat from one of Gorillaz best-loved songs was an Omnichord loop preset, Jacob Collier offers Steve Vai guitar playing direction and watches as Willow screams down a microphone, "We are changing vintage guitar collecting forever": Gibson officially launches Certified Vintage program, Producer Mura Masa says that PinkPantheresss Boys A Liar was made in a couple of hours, and that he didnt know about the Ice Spice 'Pt 2' remix until he saw the video. Comparing to other Shures, itis a great step up from their Beta 87A and miles ahead ofBeta 58A. More videos like Shure KSM8 vs. KSM9 | Whats the Difference? In my experience the KSM8 is a more hi-fi-sounding mic. Condenser mics are a great choice for stage use as long as they have been designed specifically for live use. Its a departure from their simply constructed dynamic live mics. Human factors engineering ensures that medical devices and combination products are safe, effective, and easy to use, while also ensuring that the products meet commercial and regulatory imperatives. Always works in a rock setting. Web site designed & maintained by PB Associates & SOS. Another drawback of sensitive microphones is that they often have a low maximum SPL. At a similar price, therere many comparisons to be made between the 105 and the KSM9. Heres how it works. Therefore, if you can afford this mic, go ahead and start digging that difference. The Diaphragm Stabilization System (DSS) works with the pumping pneumatic shockmount to isolate and suspend the cartridge, reducing handling noise. For more aggressive styles like metal, technically youll still get a betterquality vocal, but among those loud and heavy guitar riff sounds you may probably not be able to notice the difference. The Dummies Guide explanation is that the passive rear diaphragm acts as the first element of the acoustic labyrinth network, and provides significant compliance at low frequencies. A dynamic microphone process sound waves mechanically whereas a condenser microphone does so electronically. Microphone sound absorption and reflection. 25 Feb/23. As a premium vocal microphone, the KSM9 captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for . This is a small, low voltage current sent to the microphone from a microphone preamp, mixing desk, or audio interface. 965 more sensitive than the KSM, for me uses about 1/3rd less gain. This will add more bass to the sound, due to the proximity effect. Singers with quieter voices will find that a live condenser mic can better convey the emotion and intimacy of their performances. The entire midrange, which corresponds for vocal and most instrumental sounds is precise as never before. Don't Let Dirty Power Ruin Your Recordings. The KSM9HS is a new premium stage vocal microphone, based on the design and success of the KSM9. So if you need that extra sparkle and clarity to give your live sound the edge, then this could be the handheld condenser for you. KSM9 is a top line mic and I assure you its pretty tough the capsule is well protected, and if dropped, the internal suspension can easily handle the shock. The KSM8 is not necessarily an upgrade. Where the magic happens! Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. A premium condenser vocal microphone, the KSM9 captures vocal subtlety with extraordinary detail for live performance. Your email, has been entered to win this giveaway. At this point I expect youre desperate to know how the dual-diaphragm configuration works, but rather than get bogged down in the technicalities here, Ive put it all in a side-box for later reference. See giveaway details & rules or check out our past winners! Shure QLXD2/KSM9. BACK. Its similar in design to the classic Shure SM58, but with a squarer grille at the head of the microphone. It is for precisely these reasons that dual-diaphragm capacitor microphones have become the standard choice for recording close-up vocals, users often citing the preferred low-frequency character, and why single-diaphragm cardioid mics are generally preferred for more distant-miking applications. Shure's KSM9 is a stage condenser in a traditional handheld form factor. On stage, the wider cardioid pattern is more suited to singers who move around the mic a bit more. If you want the best quality XLR cables, try these. Good Luck! Sandusky, MI, United States (26) SHURE KSM9/CG/ I am pretty familiar with the 87c, I like it a lot and it seems to be smooth and consistant. jim martin death couples massage class san diego beaver falls football shure axient combiner. This microphonecan give a colossal improvement to your vocal and it actually deserves every dollar spent. 965 seriously cuts through the muddiness very crisp high end. We have always believed these are the ingredients that inspire and shape real results for businesses and brands. Shure Tech Portal open_in_new. Dynamic mics are particularly suited to live and stage use. In other words, the acoustic impedance of the diaphragm increases as the frequency gets lower. Zippered Carrying Case for KSM8. Price $699. Boston, It offers a natural, open sound, with a very balanced low-end, beautifully smoothmidrange and brillianthighs. Shure has taken dynamic microphone technology and performance to a groundbreaking new level with the development of the premium KSM8 Dualdyne. http://cdn.shure.com/publication/upload/340/pdf_ea_dual_diaphragm_mics.pdf, Win! Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself! SHOCKSTOPPER is a trademark of Shure Incorporated in the United States. Now is the perfect time to get the gear you want with simple, promotional financing. In terms of frequency response, the sound ofKSM9 is very well tailored, and it doessound much better than a typical flat-response condenser. Shure describe the KSM9 as the first-ever handheld condenser with dual diaphragms and switchable polar patterns. The chart is fairly even, with no big peaks or troughs apart from a little dip around 7kHz. Shure are one of the industry leaders in vocal microphones. What else do you need for your home recording studio? Its not something I could actually hear. The only quibble I have is with the price, which at $499 is 5 times the price of the SM58. From a practical perspective, with virtually no proximity effect the on-axis sound character doesnt change with source distance, so the performer enjoys a much larger and more consistent sweet spot. 3.7 out of 5. It has a sumptuous rich low end that isnt overpowering, smooth mids, and sparkling fizzy high notes. The idea is that sounds from the rear take the same amount of time to reach the rear of the diaphragm through the labyrinth as they do to pass around the outside of the microphone and impact on the front of the diaphragm. I think the Shure is a little brighter in character, whereas the Sennheiser is a bit more pronounced in the low-mids. Cardioid is more natural but may need a louder vocal to combat feedback. ; chanel To bring in more of the room sound, and the instruments around you, hold the mic 10 cm or more away from your mouth. We joined PA in 2018, becoming part of one of the world's most capable networks of researchers, strategists, designers, engineers, and scientists. By achieving greater output level while minimizing proximity effect to an unmatched degree, the microphone provides a clean, richly detailed signal with minimal feedback. Find An Answer Browse our vast Answer database for answers to many common technical questions. The Shure KSM8 Dualdyne Microphone is the worlds first handheld dual-diaphragm dynamic microphone, designed for professional vocal applications in live sound and studio environments. A good condenser will give any vocalist the air and sparkle required to effortlessly cut through the mix. This mic has a very flat and even range through the mids, before gently climbing through the high range from about 3kHz. Just make sure to point it where you want to and it will do the rest. I haven't tried the sennheiser but I can tell you my experience with the kms105 and the ksm9(the ksm8 is a dynamic). The Sennheiser has some unique features: a low-cut filter switch, for singers who need to remove low frequency noise from the room. And of these, the SM57 and SM58 are industry-standard around the world. . This mic offers dynamic lows, balanced mids and sparkling highs. The switch is under the grille. Re: Shure Beta 87c Vs. KSM9. Theyre both handheld condenser mics optimised for live performance. The "C" version is the best of the 87 lot for female vocals in my experience and I think the KSM9 is a huge improvement over it. In effect, the passive diaphragms compliance acts to partially block or impede low frequencies from reaching the rear of the front diaphragm, thus altering the net pressure acting on the active diaphragm in a frequency-dependent way. A dual-diaphragm design helps to reduce the proximity effect, and evens out the frequency response throughout the vocal range. There were four models in AKGs dual-capsule range, starting with the D200. It also helps to minimise high-frequency handling noise. Featuring one of the most innovative cardioid polar pattern microphones that Shure has developed to date, the Dualdyne cartridge of the . At the rear of the diaphragm the acoustic combination of these separate signals with altered phases and amplitudes results in an accurate cardioid polar pattern with a greatly reduced proximity effect. This ensures a smooth transfer of the signal from the microphone to the pre-amp, without any loss of signal quality. The Neumann KMS 105 and the Shure KSM9 are both great microphones, but the Neumann kms 105 is the better microphone. Very well-defined cardioid polar pattern with minimal off-axis coloration and a deep rear null. It may also be purchased as part of a Shure wireless system, or as an upgrade to an existing wireless handheld transmitter. Heads Up SoSer's - When SSDs Fail, They Fail Catastrophically! A dynamic cardioid version of the KSM9, using the same dual-diaphragm technology. A very similar mic to the KSM9. The high end of the voice comes over with a smooth, neutral aspect, free from the almost resonant peakiness that most stage vocal mics deliver. Because of this, Shure KSM9 is much easier to use when there are other singers or instruments on the stage. Through a multi-disciplinary partnership from research to development, Essential partnered with Shure to help establish user experience principles and a design language for their wireless and wired microphone . This means theyre prone to overload and distortion from louder singers. The grilles are of course replaceable Yet, considering the price of the unit, youd still want to treat it with all due respect and I hope this is a no-brainer. Technical features include two ultrathin diaphragms, a neodymium magnet, a dent-resistant carbon steel grille, a new internal pneumatic shock mount and diaphragm stabilization system, and integrated hydrophobic wind protection. She will be using IEM with this mic. By applying our craft in market contexts, we deliver solutions that empower end users, energize the channel, and strengthen businesses. The KSM8 provides greater immunity to these problems, due to linear polar response across the entire frequency spectrum. The overall off-axis response is very smooth, and although the pick-up pattern is at the broader end of cardioid, theres pretty good rear rejection, particularly noticeable in the midrange frequencies. This moisture-resistant cloth protects the cartridge while providing superior pop protection, ensuring years of usability and durability. Every single component is new this is no evolution from previous Unidyne capsules: it came quite literally from a clean sheet of paper and a lot of innovative thinking! Shure's KSM8 has been custom-made for live vocal reproduction, providing the near-exact sound of your voice through a PA or recording desk. They even look similar, with tapered handles and squareish divided metal grilles. Notice the more even high-end response on the KSM8 and lower sensitivity to bass frequencies. It also has a -10db pad which can be switched on if a vocalist needs a little less sensitivity. I work with a female vocalist who is looking to upgrade her microphone. 1.93 in. Shure KSM9 is a professional on-stage condenser mic. One of the standout features of this mic is its versatility it can be used for both vocals and instruments. If the two passage times are accurately matched, the sound pressure will be identical on both sides of the diaphragm, and there will be no net movement which means no electrical output. Condensers offer a brighter, more detailed sound, which is more faithful to the human voice. My contacts at Shure were reticent to consider creating a competing product for the venerable SM58 and the newer Beta 58A. At first glance it looks just like any other conventional stage vocal mic theres nothing in its styling that signposts the clever technology within. They both come with a built-in shock mount and are able to handle high volume levels. The Shure KSM8 is a dual-diaphragm cardioid dynamic mic designed primarily for vocal performance. An interesting side-note here is that Ben Bauer, working at Shure in the mid-1930s, developed a broadly similar acoustic labyrinth concept based on Braunmhl-Webers work for a single-capsule moving-coil cardioid mic. BLX4 and BLX88 systems are throw-it-in-your-backpack wireless mic systems with portable receivers, great for getting around quickly. Did you mean the KSM9? The Neumann KMS105 is another live handheld condenser mic. Handling noise is extremely low and never gave any problems, even when I was deliberately trying to be clumsy! The dual-diaphragm microphone delivers a smoother response throughout the vocal range and is less susceptible to improper microphone handling, requiring less corrective signal processing and resulting in a more natural sound. One aspect of the KSM8 which does borrow from the past, though, is its internal pneumatic shockmount. Itmaintains a great accuracy at higher freqs (where other mics err), and even those high-pitched harmonics sound so much natural! It may likely suffer from cosmetic defects, such as grille deformation and less likely scratches. A dynamic microphone revolution that only Shure could stage. The KSM8 is a dynamic mic, whereas the KSM9 is a condenser. The mic has a dual-diaphragm 19.8mm OD electret condenser capsule, with diaphragms mounted 3.7mm apart. As well as the microphone, the KSM9 also comes with: Dynamic mics are extremely durable, and can withstand a certain amount of rough and tumble. Additionally, the KSM9 has a built-in shock mount that helps to reduce noise from vibration, making it ideal for use with high-end instruments. Bath General Description. A subsonic filter helps cut out any rumble from mechanical vibrations below 17Hz. Review: Best Wireless Mics to date For pros & Noobs! The Neumann KMS 105, on the other hand, is a more affordable option that still provides great sound quality. Click to reveal You can email the site owner to let them know you were blocked. Does anyone have any experience with the KSM9? The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. The amount of rear rejection degrades slightly around 6-8 kHz, but not enough to cause any significant issues. She owns a EW 115, perhaps I could just upgrade the capsule? The dent-resistant mesh grille is constructed from a hardened carbon-steel wire and permanently lined with a hydrophobic fabric. Shure KSM8 Shop now at Amazon. ksm9 hs surprising on no feedback. 2:11 Shure KSM8 Only Strategically positioning and bringing to life new brands. Shure KSM9 vs Sennheiser E965 for Vocals. However, even so it is still significantly less expensive than many high-end capacitor stage mics, while it boasts some very useful and unique sonic and pragmatic advantages. If you want your live vocals to be closer to your refined studio sound, then this is where a good handheld condenser comes in. Electro-Voices product range now includes several Variable-D mics although the most iconic and recognisable is undoubtedly the RE20. The balanced response of the dual-diaphragm microphone allows the performer to move more freely without affecting the sound quality. I work for a medium sized provider in the UK, we have 16 channels of UHF-R (a mix of UR4D and UR4D+). Moving significantly beyond that range causes the bass level to fall off gently, and by 600mm (two feet) there is an obvious but still gentle attenuation of frequencies below about 100Hz. He enjoys writing middle grade and YA fiction, doing traditional art, and keeping up with the latest anime series. Geeksper.com is the blog site where you can get well-researched microphone reviews, microphone buying guides, and everything related to microphones. This protects the diaphragm and capsule from harm, and reduces handling noise and stage vibrations. When you have other instruments in close proximity and you just want the sound of the voice, its best to sing or speak directly into the mic. It has a very clear sound with a lot of detail, making it perfect for recording vocals. Neumann are known for producing premium quality microphones, and so its no surprise that the KMS105 gives the Shure KSM9 a run for its money. Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Second, nonetheless very important feature is a unique grille design that does an impressive job in reducing popping sounds. As for music genres, KSM9 works best with latin, jazz, pop music, rock and similar. It is the successor to the popular KSM8, and it offers several improvements over its predecessor.